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A guy called Steve Sales sent this paper to me. A Dr Brookes wrote it. It
is in response to something Dr Brookes read in a magazine. You may or may not agree with
his hypotheses but it does make interesting reading and keeps in the style of 'The Night
Owl' looking at the Northern Soul scene from every angle. These are Dr Brooke's words:
I put forward the hypotheses there are four classes or types on the
Northern Soul Scene, which are as follows
The sub-class
This class of person is not a soul fan; they became involved with the Northern soul scene
during the hey-days of 1975-79. The sub-class is often referred to as "
plastic-Soulies " having no real passion for the music. The plastic-Soulies are part
of the soul scene because of social ties. They will have friends who belong to the other
classes of persons on the scene. The majority of this sub-class left the Northern soul
scene when other musical styles became popular.
Class one (the soul fan)
The Soul Fan is driven by the love of the "sound". The Soul Fan loves to listen
to the sound irrespective of the medium. The Soul Fan does not care if the medium is
original vinyl, pressing, CD, etc The soul fan will have a collection that will contain
the sounds on many medium. Because it is the love of the sound that is the driving force
not the love of a particular medium. The Soul Fan may sell a favourite sound that is on an
original label, because it is available on CD and with the extra money he/she can purchase
more CD's or pressings or originals containing other loved sounds. Therefore driven by the
love of soul music, the original is sold to be replaced by more sounds.
Class two
This is the overlap class; Some Soul Fans are also Original Soul Record Collectors. Both
the love of soul music and the love of collecting original soul records drive them. This
Class of person will have more conflict in his/her purchasing i.e. to buy the three
pressings or the original? This Class may replace pressings as and when they can get hold
of the original records. There is a tendency though in this class to be influenced by the
third class in their purchasing practices.
Class Three (the original soul record collector)
The Original Soul Record Collector this is the elitist class, this class do not belong to
the class of Soul Fans, they are not soul fans . They are not driven by the love of soul
music. But by the love of collecting (viz. soul records). This class comes over as
"snobs" as regard to soul records and may well refuse to own pressings or CDs.
This class once belonged to the second class but have lost sight of the nature of soul
music and have been caught up by pride and vanity. They love nothing better than telling
you the value of a record and how few copies exist. Contrast the Soul Fan who loves
nothing better than listening to the record and loves to play them for you too.
So there it is. If you ever browse this page Dr Brookes let me know
some of your favourite tunes and I will add one...Soul long Mick. |

Mick' tale.
Shanes Tour.
American dream.
NS hypotheses.
Berlin
scene.
Pete's story.
Them wer' days.
The first time.
Wigan !#?.
New blood.
Irish & exclusive.
Youngest soulie?.
My soul story.
NS obsession.
UK to LA.
Southerners tale.
Keeping the faith.
First steps.
A Great Crowd.
Oldie now Newie.
The Right Direction.
La Pella Nera.
My 80's Scene.
Wicked Story.
30 Years of Soul.
Filipino Style.
Cheshire Soul Club.
Man in Black.
Time's a Wasting.
Full Circle.
A Northern CV.
Californian Scene.
Awkward Homelife.
Plain & Simple.
Cleethorpes '98.
Handstand.
Move Forward.
Lost Soul.
A Favour?. |